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Patrick McGuire is a writer, musician and human man. He lives nowhere in particular, creates music under the name Straight White Teeth, and has a great affinity for dogs and putting his hands in his pockets.
Roland developed the RE-201 in the early 1970s, and while this wasn’t the first tape echo, they made something much more durable and sonically satisfying than anything that had come before it. Starting in the 1950s, musicians started to use small devices that included a recorder and a single tape loop capable of simultaneously recording and playing sound. This would create a delay effect.
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Producers will use this technique when they have a double chorus in their hands. If the second half of that double chorus will also be the final chorus, it can be a challenge to keep the energy at peak level. And, of course, nobody wants the final chorus to be one that loses its impact or gets boring near the end.
As soon as I started to scope it out, I very quickly realized that it would be even better if I could build a tool that would allow my clients to create their own playlists — let them be in charge of their music journey.
In particular, the overall aim of all of our programs is to promote active learning, where students are putting concepts into action, getting feedback, and making progress by doing, rather than passively ingesting information. We do that through intense personalization — by providing a personal mentor matched to your needs and a structure that supports your learning experience.
“The Luv Pack, Vol. 1,” is comprised of samples created by producer, drummer, bandleader, and author of Soundfly’s The Art of Hip-Hop Production course, Charles Burchell. As a bass player, I have been lucky enough to play a little with Charles over the years, and it has always been an instant hook up for me. His pocket is on another level and given that his raw playing features heavily in the source material for these samples, I knew I could get inspired by digging into the drum loops first.
Here’s an obvious one. The clothes you wear when you’re on stage are a costume and you should think of them as such. Even just wearing your everyday street clothes is going to communicate something to the audience. It sounds annoying and unfortunate, but I guarantee that you do it too when you see a concert: judge a band based on their rags.
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Far too many first-rate bands can’t seem to make the leap from playing great shows in smaller clubs to playing big rooms on bills that people are actually excited about. A few years of playing smaller rooms and your band should be ready to start making a name for itself. But toiling away in obscurity, waiting for someone to discover you isn’t a viable way to make it as a musician. And if you live in a hyper-competitive music market such as New York City (like I do), you really can’t just wait around.
Kronendal Music Academy is a local music program aimed at engaging at-risk youth in the Hout Bay Valley of the Western Cape in South Africa. Located about 20 miles from the next nearest music school, they opened in 2007 to facilitate creative exchanges among the three distinct cultures native to the region. The academy provides quality instruction in diverse genres, instruments, and traditions.
In essence, “Mary Had a Little Lamb” is an example of this structure. It’s the same melody again and again, but with different lyrics. Another famous example might be “Blowin’ in the Wind” by Bob Dylan.
Contrary to the beliefs of most musicians who are inexperienced in recording, extra noise isn’t always easily fixed during the mixing process. Besides, wouldn’t you want your mixing engineer to be more focused on improving your song rather than trying to fix it?
I’ve got my TV tuned to channel you B