+ Work 1:1 with a Soundfly Mentor with the Headliner’s Club, our month-long personalized learning program, and develop a plan to achieve your goals with the help of a professional musician, engineer, educator, or music industry veteran! What would you like to improve?
In order to get access to your Spotify metrics, you need to be a verified artist. Fortunately, the process is now much simpler than it was before — just go here and fill out the short form. Once you’re verified, you’ll be able to log into Spotify for Artists and see all of your data.
The important thing to consider here, is that you are not your voice. There are certain assumptions about the human voice that vocalists need to disarm in order to become more comfortable singing in front of an audience. You might not always notice it, but in social and political conversations, “voice” is often associated with what is extremely “personal,” for example:
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In 20th and 21st century music there is a lot of imagination and experimentation, and strong interest in spirituality in general. But there isn’t much of this kind of intimate interweaving of specific sounds with concrete theological symbols. Composers like James MacMillan are exploring this sort of theology-based musical practice, as one writer describes his work, “giving the symbols and signs of Christianity their own flesh-and-blood physicality.” Others like Arvo Pärt use related methods in a broader sense. And surely there are other creative musicians working in this vein today.
So much of today’s new technologies tend to offer (at least in marketing speak) out-of-the-box solutions to musicians’ and students’ problems. Softwares and plugins, devices and networks, are all designed to minimize the rough edges around taking the time to learn things the hard way, practice them, and interact with things and people. And while these tools are optional, and do provide new avenues for creative expression and learning, they sometimes also skip over some crucial steps in the lifelong learning process of the artist, particularly those steps that historically have happened in the classroom.
One of the first things you need to decide before purchasing a microphone for podcasting is what type of mic you should get: USB or XLR. In most cases, USB microphones have comparable sound quality to their XLR counterparts. The difference is in the way they capture sound.
Once you decide whether you’ll be using a USB or XLR, choosing the right mic all comes down to features. The most important feature of a podcasting microphone is the polar pattern. Polar patterns pick up what a microphone can “hear.” Some microphones have a fixed polar pattern, while others can select between multiple patterns.
Get a reusable water bottle you like, and figure out the number of times you need to fill and drink it each day to meet your goals. I personally love keeping my snazzy nine-ounce stemless wine glass on my desk, next to my handy 51-ounce water pitcher that I try to fill and consume at least twice during my work day for optimal hydration.
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Gear Acquisition Syndrome (G.A.S.) is a serious disorder that affects millions of musicians worldwide. In fact, one in six musicians is obsessively refreshing online classifieds right now looking for deals on used gear.
It’s also a good idea to think about the role 808s typically fill in your sub-genre. In trap music, they function as the bass line following the kick. In some other sub-genres, like reggaeton, they might just be used for one hit to create a massive downbeat at the start of the cycle.
If you’re a regular Soundfly visitor, you probably already know how much we love chiptune music. Richard Lewis is the founder of the British music blog Chip! Bit! Sid! as well as the annual 8-bit music festival Chip Bit Day held in Manchester.
Eventually we would like the aQWERTYon to show other real-time information as well: notes on the staff, chord symbols, and the like. We want to do for the web browser what Samuel Halligan’s pop-up piano does for Ableton Live Suite: Turn it into a visual and aural Rosetta stone that translates in real time between different visual and aural representations of music.
Any home-recording musicians, producers, or instrumentalists who are new to working in DAWs, and want to get up and running making music in Logic Pro X, regardless of style or genre. This course will also briefly touch on mixing as part of a more holistic music-making process. You’ll need a copy of Logic Pro X to get the most out of the course.