To me, this is the real reason to do a cassette — all the incredible DIY options and customizable pieces. When I think of a band doing a DIY cassette, I think of them handwriting the album name on the cassette label, I imagine cute doodles on the case, I think of them writing a “To: Fan” “From: Your favorite band X” There are just SO many ways to customize this and put a real DIY feel to it that can skyrocket the connection you make with your fans.
Inspiration may strike like lightning, but just about as frequently, so go out and find your own stories, ideas, characters, and narratives in these blogs!
As they used to say on MTV, “Too much is never enough” — especially when it comes to the ways you can re-record and sell your music. Top-selling artists release multiple versions of both hits and deep cuts to present different versions of their songs and put a new spin on lesser-known tracks. You can remix a song and take the lyrics away, and release an instrumental version you could license to film or TV programs. Or how about stripping down your sound and releasing an acoustic, unplugged version?
Grants for music programs
Evan Zwisler is a NYC-based musician who is most notably known for his work with The Values as a songwriter and guitarist. He is an active member of the Brooklyn music scene, throwing fundraisers and organizing compilations for Planned Parenthood and the Anti-Violence Project. He started playing music in the underground punk scene of Shanghai with various local bands when he was in high school before going to California for college and finally moving to New York in 2012.
Harmonically, the “majorness” of the V chord is pretty weak, as you can barely hear the major third. And yet the harshness of the iiº chord in the intro is masked by the sweet flute-like tone. Lots of anomalies. Another anomaly is just how fast this song rose in the charts, and how even faster it then dropped, going from #5 to #60 to #91, and then who knows where.
When the studio asked for a song that sounds like The Beatles, Schlesinger decided to use similar instruments, style, and production techniques from the time period. If anyone in their 40s or 50s walked into the theater to watch the film, they were immediately transported back to their youth. For those of us too young to have lived through the early 1960s, it’s likely that our parents introduced us to the music of The Beatles at some point so that we’d have our own developmental reference point as well.
While the PR-40 looks like a traditional condenser mic, it’s actually a dynamic microphone, which makes it an excellent choice for podcasting. Dynamic microphones are less sensitive than condenser microphones and capture less ambient noise. The PR-40’s fixed cardioid pickup pattern further helps reduce background noise for a crystal-clear broadcast. With an internal shock mount, the PR-40 is fully protected from handling noise, while the dual mesh filters prevent plosives. An extended frequency range helps capture that classic “radio voice” sound.
For most of the music I play, power chords usually do the trick. I make use of them almost exclusively when writing rhythm parts or exploring chord progression ideas because they’re simple, communicative, and easy to arrange around. Sometimes, though, you’ll want something that sounds a bit fuller and more epic.
Grants for nonprofits
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From a musical standpoint, these kinds of bass lines can be a bit busier and more melodic since they exist in a range that’s “singable” (at least by the baritone section of the choir). We can learn a lot about what makes a great line by dissecting classic bass performances from blues, rock, funk, and disco. A classic example of bass guitar in early hip-hop is The Sugarhill Gang’s “Rapper’s Delight,” which samples the bass line and beat from Chic’s “Good Times.”
Hughes says, “So if you’re in the key of C major, at the top of the hierarchy is the note C. Because that’s the most important note in the key of C major.” That’s the root or tonic of the scale, and the name of the scale — and so it’s the most important note.
And I don’t know if it’s just really strong overtones, but I could swear that whatever the sample is that plays on beat one of each loop has at least an overtone of C# in there somewhere, but I don’t know if it’s strong enough to call it “major.” It just gives it a really different color than your typical Aeolian mumble-rap tune.
I found a MIDI version of the piece and brought it into Ableton Live. The MIDI file put the left and right hand of the piano on separate tracks, so I used separate instruments for each one: a palm-muted guitar for the right, and a synth pluck for the left.